Here’s a photo of the EX and the nanoFlash set up on the hotshot of the EX1. The same kind of workflow that Frozen Planet and Top Gear have been using. A good setup, though a bit cumbersome for those nippy hand held shots, especially with the battery Velcro’ed to the side. We will see. A D-Tap connector would be ideal.
I’ve worked as a documentary cameraman since 2008, making a living telling stories and capturing unique images from the hottest coldest and remotest places on the planet. I’ve worked in places such as the icy cathedrals of Antarctica and South Georgia, to the rich reefs of the Indian Ocean, to the wonderful bird colonies of Ascension Island. Previously I worked as a motion graphic designer and was a senior editor in a corporate video production with some very big clients, where I learnt key skills in film-making and camera technology.