Took delivery of the nanoFlash and a second hand EX1 today for our documentary. Time will tell on the use of this neat little device.
We are set for 4:2:2 but it’s a pain in the bum when you can’t get hold of the BBC DQ group.. Does one budding cameraman shoot in 25p or 25i? According to the guidelines, 25i is acceptable, but I prefer the digital workflow of 25p.
I’ve worked as a documentary cameraman since 2008, making a living telling stories and capturing unique images from the hottest coldest and remotest places on the planet. I’ve worked in places such as the icy cathedrals of Antarctica and South Georgia, to the rich reefs of the Indian Ocean, to the wonderful bird colonies of Ascension Island. Previously I worked as a motion graphic designer and was a senior editor in a corporate video production with some very big clients, where I learnt key skills in film-making and camera technology.
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